things are remembered differently
@Offramp_tavanip @mesureur357 @psychcomm @Times_Chess @HowardStaunton Well we all know that the combination of opposing faces should be seven, so it is clearly a code rather than mistake.
Well we all know that the combination of opposing faces should be seven, so it is clearly a code rather than mistake.
— Hookland (@HooklandGuide) August 5, 2019
@amyhale93 @strangepress I cannot stress how powerful and important Amy’s words are. #FolkloreAgainstFacism
I cannot stress how powerful and important Amy's words are. #FolkloreAgainstFacism
— Hookland (@HooklandGuide) August 5, 2019
Whether it is Weychester with its Prince Bishops or Coreham with its Sherrifs, Hookland is a county that suffers from feudal overhang, its stone buildings casting a shadow history of power and popular suppression. – #CLNolan
Whether it is Weychester with its Prince Bishops or Coreham with its Sherrifs, Hookland is a county that suffers from feudal overhang, its stone buildings casting a shadow history of power and popular suppression. – #CLNolan
— Hookland (@HooklandGuide) August 5, 2019
Beyond church light, the county persists as it always has, a stronghold of heathenism. I sleep safer with that thought in my noggin. – #CLNolan https://t.co/5w5Q06Hi1P
Beyond church light, the county persists as it always has, a stronghold of heathenism. I sleep safer with that thought in my noggin. – #CLNolan pic.twitter.com/5w5Q06Hi1P
— Hookland (@HooklandGuide) August 5, 2019
Anyone along the coast of Hookland would know its meaning, even if they did not know the Spitstone ritual. ÛÒ Hookland artist Katherine Gidding on her 1938 picture The Fathom Bride Boat https://t.co/1QneiQUTQk
Anyone along the coast of Hookland would know its meaning, even if they did not know the Spitstone ritual. – Hookland artist Katherine Gidding on her 1938 picture The Fathom Bride Boat pic.twitter.com/1QneiQUTQk
— Hookland (@HooklandGuide) August 6, 2019
@MariaStrutz I think for me it, part of the power in Gidding’s picture, is the that however calm and beautiful she makes our gazes onto the waves, the terror of the King-Under-the-Sea is still present. Knowing the horror of the Fathom Brides adds to it greatly.
I think for me it, part of the power in Gidding's picture, is the that however calm and beautiful she makes our gazes onto the waves, the terror of the King-Under-the-Sea is still present. Knowing the horror of the Fathom Brides adds to it greatly.
— Hookland (@HooklandGuide) August 6, 2019
@MariaStrutz There’s nuance and irony – the boat is fragile and vulnerable, just as the girls it carries – and a refusal to allow beautiful to mean safe that I like about it.
There's nuance and irony – the boat is fragile and vulnerable, just as the girls it carries – and a refusal to allow beautiful to mean safe that I like about it.
— Hookland (@HooklandGuide) August 6, 2019
For these are the news spires of England. These are the new churches of a novel spiritual power. For an odd heathenry has returned to the land, that of the Children of The Hum or the Pylon People as many call them. – BBC Nationwide, 1973 https://t.co/La4ocyzlyC
For these are the news spires of England. These are the new churches of a novel spiritual power. For an odd heathenry has returned to the land, that of the Children of The Hum or the Pylon People as many call them. – BBC Nationwide, 1973 pic.twitter.com/La4ocyzlyC
— Hookland (@HooklandGuide) August 6, 2019
@amyhale93 @t3dy @strangepress It is vital. It matters. It ainÛªt angels on pin stuff and this is brilliant piece of work.
It is vital. It matters. It ain’t angels on pin stuff and this is brilliant piece of work.
— Hookland (@HooklandGuide) August 6, 2019
It makes a change from the usual Û÷Pavel Mikoyan is screaming on the moonÛª or ACR graffiti you usually see in Hookland. – #MattAdams, 1981 https://t.co/c5vA1Eb4Hm
It makes a change from the usual ‘Pavel Mikoyan is screaming on the moon’ or ACR graffiti you usually see in Hookland. – #MattAdams, 1981 pic.twitter.com/c5vA1Eb4Hm
— Hookland (@HooklandGuide) August 6, 2019